Levin is also deeply atheistic throughout almost the entire novel, but at the end, he undergoes a religious epiphany after an encounter with a peasant. Levin spends a great deal of time writing and thinking about large questions of agriculture and humanity, but he ultimately concludes that everyone must concern themselves with taking care of their own individual affairs rather than becoming sucked into huge existential crises. Levin falls in love with Kitty, and though his proposal fails the first time, causing him great embarrassment and self-loathing, eventually they consummate their relationship in what ultimately turns out to be the happiest marriage of the three main marriages in the novel. He doesn’t want to westernize Russian society, as many aristocrats do, simply for the sake of elegance however, he also doesn’t want to cling blindly to old ways in regards to farming, but instead promotes efficiency and agricultural reforms. Levin is frequently anxious and constantly arguing, since he wants to think everything through. Unlike his brothers, Levin is not a natural intellectual and debater rather than arguing indoors, he feels more instinctively at home working outside. He is socially awkward: he feels much more at home working on his farm or being outdoors than in the complex political affairs and dramas of city life. Levin, the other main protagonist of the novel (besides Anna), is a landowner who is primarily concerned with farming, agricultural, and rural life.
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